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The author or concept searched is found in the following 5 entries.
| Disputed term/author/ism | Author |
Entry |
Reference |
|---|---|---|---|
| Aesthetics | Adorno | Grenz I 182 Aesthetics/Adorno/Grenz: the natural history conception of the interpretation of social history is part of the theory of the genesis of truth from the false appearance. This theory, however, derives its concept of truth from aesthetics. Therefore aesthetics must occur as a part of natural history. >Truth/Adorno, >Truth content/Adorno, >Appearance/Adorno. Grenz I 184 Autonomy/Art/Adorno: with the attempt to save the concept of autonomy for art, Adorno takes the side of bourgeois aesthetics. He does this by liberating the concept of autonomy from his idealistic essentiality. Thus he posits himself VsBenjamin. >W. Benjamin, >Autonomy, >Art/Adorno, >Artworks. Work of art/Benjamin: Thesis: a work that exhibits the right tendency must necessarily show every other quality. (Benjamin, Versuche über Brecht, p.96). Tendency/Benjamin: Aesthetics itself has a political character. >Practise/Adorno. |
A I Th. W. Adorno Max Horkheimer Dialektik der Aufklärung Frankfurt 1978 A II Theodor W. Adorno Negative Dialektik Frankfurt/M. 2000 A III Theodor W. Adorno Ästhetische Theorie Frankfurt/M. 1973 A IV Theodor W. Adorno Minima Moralia Frankfurt/M. 2003 A V Theodor W. Adorno Philosophie der neuen Musik Frankfurt/M. 1995 A VI Theodor W. Adorno Gesammelte Schriften, Band 5: Zur Metakritik der Erkenntnistheorie. Drei Studien zu Hegel Frankfurt/M. 1071 A VII Theodor W. Adorno Noten zur Literatur (I - IV) Frankfurt/M. 2002 A VIII Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 2: Kierkegaard. Konstruktion des Ästhetischen Frankfurt/M. 2003 A IX Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 8: Soziologische Schriften I Frankfurt/M. 2003 A XI Theodor W. Adorno Über Walter Benjamin Frankfurt/M. 1990 A XII Theodor W. Adorno Philosophische Terminologie Bd. 1 Frankfurt/M. 1973 A XIII Theodor W. Adorno Philosophische Terminologie Bd. 2 Frankfurt/M. 1974 A X Friedemann Grenz Adornos Philosophie in Grundbegriffen. Auflösung einiger Deutungsprobleme Frankfurt/M. 1984 |
| Mass Culture | Adorno | Habermas IV 558 Mass Culture/AdornoVsBenjamin/BenjaminVsAdorno/Habermas: on the question of the ideological character of mass culture, a front is formed between Adorno on the one hand and Benjamin on the other. While Adorno (with Löwenthal and Marcuse) irreconcilably contrasts the experience of authentic art with cultural consumption, Benjamin persistently sets his hopes on the profane illuminations that are supposed to emanate from a mass art stripped of its aura. >W. Benjamin, >Experience, >Experience/Adorno, >Art/Adorno, >History/Adorno, >Culture. |
A I Th. W. Adorno Max Horkheimer Dialektik der Aufklärung Frankfurt 1978 A II Theodor W. Adorno Negative Dialektik Frankfurt/M. 2000 A III Theodor W. Adorno Ästhetische Theorie Frankfurt/M. 1973 A IV Theodor W. Adorno Minima Moralia Frankfurt/M. 2003 A V Theodor W. Adorno Philosophie der neuen Musik Frankfurt/M. 1995 A VI Theodor W. Adorno Gesammelte Schriften, Band 5: Zur Metakritik der Erkenntnistheorie. Drei Studien zu Hegel Frankfurt/M. 1071 A VII Theodor W. Adorno Noten zur Literatur (I - IV) Frankfurt/M. 2002 A VIII Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 2: Kierkegaard. Konstruktion des Ästhetischen Frankfurt/M. 2003 A IX Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 8: Soziologische Schriften I Frankfurt/M. 2003 A XI Theodor W. Adorno Über Walter Benjamin Frankfurt/M. 1990 A XII Theodor W. Adorno Philosophische Terminologie Bd. 1 Frankfurt/M. 1973 A XIII Theodor W. Adorno Philosophische Terminologie Bd. 2 Frankfurt/M. 1974 Ha I J. Habermas Der philosophische Diskurs der Moderne Frankfurt 1988 Ha III Jürgen Habermas Theorie des kommunikativen Handelns Bd. I Frankfurt/M. 1981 Ha IV Jürgen Habermas Theorie des kommunikativen Handelns Bd. II Frankfurt/M. 1981 |
| Mass Culture | Benjamin | Habermas IV 558 Mass Culture/AdornoVsBenjamin/ BenjaminVsAdorno/Habermas: on the question of the ideological character of mass culture, a front is formed between Adorno on the one hand and Benjamin on the other. >Mass culture/Adorno. While Adorno (with Löwenthal and Marcuse) irreconcilably contrasts the experience of authentic art with cultural consumption, Benjamin persistently sets his hopes on the profane illuminations that are supposed to emanate from a mass art stripped of its aura. >Art/Adorno, >Aura. |
Ha I J. Habermas Der philosophische Diskurs der Moderne Frankfurt 1988 Ha III Jürgen Habermas Theorie des kommunikativen Handelns Bd. I Frankfurt/M. 1981 Ha IV Jürgen Habermas Theorie des kommunikativen Handelns Bd. II Frankfurt/M. 1981 |
| Picture (Image) | Adorno | Grenz I 87 Image/Criticism/Adorno/Grenz: the process of holding the "idea" against the images of positivity, which they cannot satisfy, is abstract. >Abstractness/Adorno, >Art/Adorno, >Artworks, >Ideology/Adorno. On the other hand: Grenz I 88 Certain negation: as a method, it 'reveals' every image as Scripture and thus as allegory in the sense of Benjamin.(1) Grenz I 97 Image/Benjamin/Grenz: Thesis: the dialectical images are transposed into collective consciousness (see Benjamin(2), p. 112f) >W. Benjamin. AdornoVsBenjamin: "dialectical images as models are not social products, but objective constellations, in which the social state presents itself." (About Benjamin(2), p. 119). 1. W. Benjamin, Der Ursprung des deutschen Trauerspiels, Berlin: Rowohlt. p 193 ff. 2. Th. W. Adorno. Über Walter Benjamin. Hrsg. und mit Anmerkungen versehen von Rolf Tiedemann. Frankfurt am Main 1970. – [Revidierte und erweiterte Ausg.:] Frankfurt am Main 1990. |
A I Th. W. Adorno Max Horkheimer Dialektik der Aufklärung Frankfurt 1978 A II Theodor W. Adorno Negative Dialektik Frankfurt/M. 2000 A III Theodor W. Adorno Ästhetische Theorie Frankfurt/M. 1973 A IV Theodor W. Adorno Minima Moralia Frankfurt/M. 2003 A V Theodor W. Adorno Philosophie der neuen Musik Frankfurt/M. 1995 A VI Theodor W. Adorno Gesammelte Schriften, Band 5: Zur Metakritik der Erkenntnistheorie. Drei Studien zu Hegel Frankfurt/M. 1071 A VII Theodor W. Adorno Noten zur Literatur (I - IV) Frankfurt/M. 2002 A VIII Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 2: Kierkegaard. Konstruktion des Ästhetischen Frankfurt/M. 2003 A IX Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 8: Soziologische Schriften I Frankfurt/M. 2003 A XI Theodor W. Adorno Über Walter Benjamin Frankfurt/M. 1990 A XII Theodor W. Adorno Philosophische Terminologie Bd. 1 Frankfurt/M. 1973 A XIII Theodor W. Adorno Philosophische Terminologie Bd. 2 Frankfurt/M. 1974 A X Friedemann Grenz Adornos Philosophie in Grundbegriffen. Auflösung einiger Deutungsprobleme Frankfurt/M. 1984 |
| Terminology | Adorno | Grenz I 14 Adorno/Terminology/Grenz: Physiognomical: expressing Negating: determined. >Negation/Adorno. Grenz I 31 Sociology/Freud/Grenz: applied psychology AdornoVsFreud: "Society is not directly one of human beings, but the relations between the humans have become independent and are overpowering to all individuals.(1) Grenz I 39 Reification/Terminology/Lukàcs/Grenz: Lukàcs familiarizes a broad public with Marx's concept of abstraction in the exchange value under the name of the reification. >Reification, >G. Lukács. Grenz I 65 Innervate/Terminology/Adorno/Grenz: innervate means to react subjectively but physically mediated on history, to perceiev the historical state of rationality and subjectivity. I 65 Constellation/Terminology/Adorno/Grenz: the historical, which is innervated, is called social or aesthetic constellation in Adorno. Grenz I 69 Tradition/Adorno/Grenz: Tradition is what, as a seemingly natural implication of the possible, projects into the present: the "present oblivion"(2). >History/Adorno. I Grenz 129 Positivity/Terminology/Adorno: positivity is conceived as a contradiction of claim and being. Grenz I 195 Aura/Terminology/AdornoVsBenjamin/Grenz: Benjamin's criterion for aura is modified by Adorno. Not the immediate certainty of the authenticity of a single given but its content should make up the aura of a work. This is an extension of the concept. It is necessary because the concept of the subject which produces the real is inscribed in the concept of authenticity. >W. Benjamin. 1. Th.W. Adorno. Gesammelte Schriften Bd. 8 p. 89. 2. Th.W. Adorno. Philosophie der Neuen Musik p. 117f. --- XII 118 World view/Adorno: ideas of the essence and of the connection of things, which measure themselves with the subjective need for unity, after explanation. In other words, the opinion raised to the system. XII 119 While Kant never speaks of "my philosophy", this is done by Fichte, Schopenhauer, and, of course, Nietzsche. >I. Kant, >A. Schopenhauer, >J.G. Fichte. |
A I Th. W. Adorno Max Horkheimer Dialektik der Aufklärung Frankfurt 1978 A II Theodor W. Adorno Negative Dialektik Frankfurt/M. 2000 A III Theodor W. Adorno Ästhetische Theorie Frankfurt/M. 1973 A IV Theodor W. Adorno Minima Moralia Frankfurt/M. 2003 A V Theodor W. Adorno Philosophie der neuen Musik Frankfurt/M. 1995 A VI Theodor W. Adorno Gesammelte Schriften, Band 5: Zur Metakritik der Erkenntnistheorie. Drei Studien zu Hegel Frankfurt/M. 1071 A VII Theodor W. Adorno Noten zur Literatur (I - IV) Frankfurt/M. 2002 A VIII Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 2: Kierkegaard. Konstruktion des Ästhetischen Frankfurt/M. 2003 A IX Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 8: Soziologische Schriften I Frankfurt/M. 2003 A XI Theodor W. Adorno Über Walter Benjamin Frankfurt/M. 1990 A XII Theodor W. Adorno Philosophische Terminologie Bd. 1 Frankfurt/M. 1973 A XIII Theodor W. Adorno Philosophische Terminologie Bd. 2 Frankfurt/M. 1974 A X Friedemann Grenz Adornos Philosophie in Grundbegriffen. Auflösung einiger Deutungsprobleme Frankfurt/M. 1984 |
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