Dictionary of Arguments

Screenshot Tabelle Begriffe

 
Author Item Summary Meta data
Ambiguity/Eco: the work of art is regarded as a fundamentally ambiguous message: the majority of meanings in a single carrier of meaning.
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I 12
"Open work of art"/Eco: what A. Riegl called "artful" and Panofsky described it (ensuring it from idealistic suspicions) as the final and definitive sense.
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I 16
The model of the open work of art is independent of the actual existence as "openly" definable works of art. It is about a relationship with the recipient.
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I 84
Openness/Eco: the impression of openness and totality does not have its reason in the objective stimulus, which is materially determined in itself. Not even in the subject, which is on its own accord for all and no openness disposed:
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I 85
It lies in the cognitive relationship in which possibilities are realized that are stimulated and directed by stimuli organized according to an aesthetic intention.
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I 85
There is also openness when the artist does not strive for ambiguity, but rather unambiguousness.
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I 89
Definition Openness/Eco: Increase in information.
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I 105
Openness and disorder are relative concepts! Something is ordered in comparison to a previous disorder.
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I 138
Definition openness of the first degree: integration and knowledge mechanisms are characteristic for every process of knowledge.
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I 139
Definition second-degree openness: grasping that constantly open process, which allows us to perceive new contours and new possibilities for a form.
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I 149
Openness: the recipient has freedom of choice.


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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution.
The note [Author1]Vs[Author2] or [Author]Vs[term] is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Eco I
U. Eco
Opera aperta, Milano 1962, 1967
German Edition:
Das offene Kunstwerk Frankfurt/M. 1977

Eco II
U, Eco
La struttura assente, Milano 1968
German Edition:
Einführung in die Semiotik München 1972


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Ed. Martin Schulz, access date 2018-12-15
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