Dictionary of Arguments

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Author Item Summary Meta data
I 94
Style/Art/Bourdieu: in contrast to the unspecific perception of the work of art, the genuinely aesthetic one is equipped with a socially trained and acquired principle of relevance. This principle of choice allows the aesthetic view... to define the stylistic features and only they can be defined and retained, which - with a view to the overall range of stylistic possibilities - characterise a very specific way of dealing with these elements (e.g. leaves and clouds).
The style is then understood as the display mode. Only the work of art can be stylistically characterized,...
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I 95
...which presupposes at least an implicit reference to simultaneous (to distinguish a work from concurrently given) or successive (to differentiate it from earlier or later works by the same or another artist) co-options or equivalents.
A painting like the Broadway Boogie-Woogie only gains its full significance for those who already have a previous idea of, for example, a work by Mondrian and have associated expectations. (See Aesthetics/visual/knowledge/perception/Gombrich).


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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution.
The note [Author1]Vs[Author2] or [Author]Vs[term] is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Bourd I
P. Bourdieu
La distinction. Critique sociale du jugement, Paris 1979
German Edition:
Die feinen Unterschiede. Kritik der gesellschaftlichen Urteilskraft Frankfurt/M. 1987


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Ed. Martin Schulz, access date 2019-03-20
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