|Form, philosophy: traditionally antonym of matter or content. See also statue/clay, exterior/interior, wholes, parts, dualism, substance, substrate, change, process. - In logic it comes to the form in which statements must be expressed in order to allow conclusions. See also fine-grained/coarse-grained, completeness, theories, systems, formalism._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. |
Form/Art/Culture/Bourdieu: An art which, like all post-impressionist painting, emerges from an artistic intention postulating the primacy of representation over the depicted, categorically demands what art of earlier times only conditionally demanded: the exclusive attention to form.
Autonomy/Art: postulate the autonomy of production, means giving priority to it, in which the artist is a master: form, style, manner, and not "content", this external...
...referent who inevitably entails subjugation under functions: ... represent, mean, testify. Instead of imitation of nature, now follows an art that imitates art itself._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. The note [Author1]Vs[Author2] or [Author]Vs[term] is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.
La distinction. Critique sociale du jugement, Paris 1979
Die feinen Unterschiede. Kritik der gesellschaftlichen Urteilskraft Frankfurt/M. 1987