Dictionary of Arguments
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| Art: according to the traditional conception, art is a social sphere that is not directly focused on the maintenance of life functions. For this reason it opens up a certain freedom and possibility of knowledge. In the modern age, the idea of the evading of art has evolved in the face of a widespread through-organization of more and more areas of life. This development can lead to an ever-barred understanding ("hermetics"). See also aesthetics, works of art, critique, society, history, enlightenment, recognition._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
| Author | Item | Summary | Meta data |
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| Norbert Bolz, Willem van Reijen, Walter Benjamin Frankfurt 1991 I 18 Art/Benjamin: only in the process of its interpretation the work becomes that as what it is interpreted as. Benjamin always compares the object of art with Leibniz's monad. --- I 26 Art/Benjamin: Benjamin does not argue that the antinomy of art and folklore is solvable. Instead: Utopia of a "Literarization of the living conditions". Frightening is to be realized into recognition. --- I 27 Provisional: a) provisional - b) anticipatory Dissolving of purely aesthetic categories into political and history-theological theories._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. The note [Author1]Vs[Author2] or [Author]Vs[term] is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
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Ed. Martin Schulz, access date 2019-02-18