|Art: according to the traditional conception, art is a social sphere that is not directly focused on the maintenance of life functions. For this reason it opens up a certain freedom and possibility of knowledge. In the modern age, the idea of the evading of art has evolved in the face of a widespread through-organization of more and more areas of life. This development can lead to an ever-barred understanding ("hermetics"). See also aesthetics, works of art, critique, society, history, enlightenment, recognition._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. |
J��rgen Habermas on Art - Dictionary of Arguments
Art/Habermas: reasons have in the context of literary, art and music criticism, the peculiar function of bringing a value or representation to the fore in such a way that it can be perceived as an authentic expression of an exemplary experience, or even as the embodiment of a claim to authenticity.
Reasons serve in aesthetic criticism to guide perception and to make the authenticity of a work so evident that this experience itself can become a rational motif for the acceptance of appropriate value standards._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Author1]Vs[Author2] or [Author]Vs[term] is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.
Der philosophische Diskurs der Moderne Frankfurt 1988
Theorie des kommunikativen Handelns Bd. I Frankfurt/M. 1981
Theorie des kommunikativen Handelns Bd. II Frankfurt/M. 1981