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|Gabriele Röttger-Denker Barthes zur Einführung Hamburg 1989
Body/Barthes: these are the preferred places where the body writes itself: Haiku, Bunraku, also the Japanese food sequence, which abolishes the Kantian conceptions of space and time. Likewise the "Kreisleriana" by Schumann.
Text/Body: Geno Text: the text body: the spots, scratches, splashes on the images of Cy Twombly.
Body/Barthes: according to his own words, the body becomes more and more important to him; it is the "man's word." His companions: "Roughness of the Voice," "Geno Text," "signifiance."
Body/Barthes: The body is identical with itself, the entity that laughs at the ego.
Body/Barthes: Voice, Geno Text E.g. Panzéras E.g. Pheno Text Dietrich Fischer Dieskau.
Roughness of the voice: Geno singing. "The roughness is the body in the singing voice, in the writing hand, in the executive body part."
Significance/Music: Friction of music with something that is language and not the message. Music: Articulation is an enemy of "Prononciation." Panzéra's voice expresses "the truth" of language, not its functionality. Space of pleasure.
Articulation: Pheno singing. Fisher Dieskau. Everything in the service of communication, representation, expression, what shapes the cultural values. ("Subjectivity")._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution.
Mythologies: The Complete Edition, in a New Translation New York 2013