|Beauty: that something is beautiful expresses the positive evaluation of a sensory experience. For example, nature, fragrances, sounds and human emotions are perceived as beautiful. In the field of art, judgments about what is to be regarded as beautiful are subject to greater fluctuations or historical developments than in the sphere of natural perception. This need not be interpreted as evidence of subjective arbitrariness. Rather, judgments change with increasing knowledge. See also aesthetics, art, works of art, perception, judgments._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. |
|Gadamer I 482
Beauty/Aristotle/Gadamer: The basis of the close connection between the idea of beauty and the teleological order of being is the Pythagorean-Platonic concept of measure. Plato determines the beautiful by measure, appropriateness and proportion; Aristotle(1) names as the moments (eide) of the beautiful order
Gadamer I 483
(taxis), well-proportionedness (symmetria) and determination (horismenon) and finds the same given in mathematics in an exemplary way. The close connection between the mathematical orders of essence of the beautiful and the celestial order further means that the cosmos, the model of all visible well-being, is also the highest example of beauty in the visible. Dimensional adequacy, symmetry is the decisive condition of all being beautiful. >Beauty/Plato, >Beauty/Ancient Philosophy.
1. Arist. Met. M 4, 1078 a 3—6. Cf. Grabmann's introduction to Ulrich of Strasbourg De pulchro, p. 31 (Jbø bayer. Akad. d. Wiss. 1926), as well as the valuable introduction by G. Santinello to Nicolai de Cusa, Tota pulchra es, Atti e Mem. della Academia Patavina LXXI. Nicolaus goes back to Ps. Dionysios and Albert, who determined medieval thinking about beauty._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. The note [Author1]Vs[Author2] or [Author]Vs[term] is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.
Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik 7. durchgesehene Auflage Tübingen 1960/2010
H. G. Gadamer
The Relevance of the Beautiful, London 1986
Die Aktualität des Schönen: Kunst als Spiel, Symbol und Fest Stuttgart 1977