|Subject, philosophy: the subject is, in the most general sense, the originator of actions and creativity as well as bearer of ideas, beliefs, perceptions, feelings and moods. In the tradition of German idealism the subject is opposed to the object. More recently, there has been a shift in the focus of the discussion to questions of access to internal states. See also I, self, subjectivity, object, idealism, actions, action theory._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. |
Edmund Husserl on Subjects - Dictionary of Arguments
Gadamer I 253
Subjects/Husserl/Gadamer: "The radical view of the world is a systematic and pure inner view of the self in the outward subjectivity(1). It is like the unity of a living organism, which can be viewed and dissected from the outside, but can only be understood if one goes back to its hidden roots...".
Subject/Husserl: In this way, the subject's behaviour in the world also has its comprehensibility not in the conscious experiences and their intentionality, but in the anonymous ones of life. Cf. >Subjectivity/Husserl.
1. Husserliana VI, S. 116._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Author1]Vs[Author2] or [Author]Vs[term] is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.
I Peter Prechtl, Husserl zur Einführung, Hamburg 1991
II "Husserl" in: Eva Picardi et al., Interpretationen - Hauptwerke der Philosophie: 20. Jahrhundert, Stuttgart 1992
Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik 7. durchgesehene Auflage Tübingen 1960/2010
H. G. Gadamer
The Relevance of the Beautiful, London 1986
Die Aktualität des Schönen: Kunst als Spiel, Symbol und Fest Stuttgart 1977