Philosophy Dictionary of ArgumentsHome
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| Allegory: An allegory is a narrative or artwork, where characters, events, or elements represent abstract ideas or moral qualities, used to convey philosophical or moral messages._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
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F.W.J. Schelling on Allegory - Dictionary of Arguments
Gadamer I 86 Allegory/Schelling/Gadamer: It is the complete agreement between appearance and idea, which (...) - with Schelling - is thought in symbolic terms, while the non-conformance is reserved for allegory or mythical consciousness. Still with Cassirer we find in a similar sense the aesthetic symbolism distinguished from the mythical one by the fact that in the aesthetic symbol the tension of image and meaning to balance is balanced - a final echo of the classicist concept of "Kunstreligion".(2) >Symbols/Kunstreligion/Gadamer, >Symbols/Cassirer, >Symbols/Gadamer. 1. F. Th. Vischer, Kritische Gänge: Das Symbol. I 2. E. Cassirer, Der Begriff der symbolischen Form im Aufbau der Geisteswissenschaften, S. 29. Ebenso schon B. Croce, Aesthetik als Wissenschaft vom Ausdruck und allgemeine Sprachwissenschaft. Tübingen 1930._____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
Schelling, F.W.J. Gadamer I Hans-Georg Gadamer Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik 7. durchgesehene Auflage Tübingen 1960/2010 Gadamer II H. G. Gadamer The Relevance of the Beautiful, London 1986 German Edition: Die Aktualität des Schönen: Kunst als Spiel, Symbol und Fest Stuttgart 1977 |
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Ed. Martin Schulz, access date 2024-04-16