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Immanuel Kant on Aesthetic Experience - Philosophy Dictionary of Arguments

Gadamer I 61
Aesthetic experience/Kant/Gadamer: Art, [like nature], is also regarded aesthetically, i.e. it too is a case for reflective judgement.What is intentionally - and in this respect purposefully - produced, should not be referred to a concept, but wants to please in the mere assessment - just like the beauty of nature. "Beautiful art is the art of genius" thus means nothing other than: there is no other principle of judgement, no measure of concept and cognition for the beautiful in art than that of the usefulness for the feeling of freedom in the play of our cognitive faculty. The beauty in nature or art has one and the same a priori principle, which lies entirely in subjectivity.
Art criticism/Kant: here no doctrine or metaphysics corresponds to criticism.(1)

1. Kant, Kritik der Urteilskraft, S. X u. LII.

Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution.
The note [Author1]Vs[Author2] or [Author]Vs[term] is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.
I. Kant
I Günter Schulte Kant Einführung (Campus) Frankfurt 1994
Externe Quellen. ZEIT-Artikel 11/02 (Ludger Heidbrink über Rawls)
Volker Gerhard "Die Frucht der Freiheit" Plädoyer für die Stammzellforschung ZEIT 27.11.03
Gadamer I
Hans-Georg Gadamer
Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik 7. durchgesehene Auflage Tübingen 1960/2010

Gadamer II
H. G. Gadamer
The Relevance of the Beautiful, London 1986
German Edition:
Die Aktualität des Schönen: Kunst als Spiel, Symbol und Fest Stuttgart 1977

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Ed. Martin Schulz, access date 2021-01-28
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