Psychology Dictionary of Arguments

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Alienation: The concept of alienation was first developed by G.W.F. Hegel, who argued that alienation is a product of modern society. Hegel believed that the division of labor and the rise of capitalism had led to a situation in which individuals were no longer in control of their own lives. - Alienation in art refers to the technique of changing familiar elements in order to create new perspectives.
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Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments.

 
Author Concept Summary/Quotes Sources

G.W.F. Hegel on Alienation - Dictionary of Arguments

Gadamer I 352
Alienation/Reconciliation/Hegel/Gadamer: The life of the spirit consists (...) in recognizing oneself in otherness. The spirit, directed towards its self-knowledge, sees itself divided with what is foreign and must learn to reconcile with it by recognising it as its own and home. By dissolving the hardness of positivity, he is reconciled with himself. Insofar as such reconciliation is the historical work of the spirit, the historical behaviour of the spirit is neither self-reflection nor the mere formal-dialectical suspension of the self-alienation that has happened to it, but an experience that experiences reality and is itself real.
>Experience/Gadamer
, >Mind/Hegel, >Subject/Hegel, >Subject-Object-Problem.

- - -
Eco I 238
Alienation/MarxVsHegel/Eco: Hegel does not distinguish between externalization and alienation. (voluntary/unvoluntary).
Eco: he could not, because as soon as the human objectifies himself in the world of the things he has created, in nature, which he has changed, a kind of inevitable tension arises, whose poles on the one hand are the control of the object and on the other hand the complete losing onself in it in a balance that can only be dialectical, i.e. in a permanent struggle.
>G.W.F. Hegel, >Alienation/Hegel, >Object/Hegel, >Dialectic, >Contradiction, >Change.

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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments
The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Gadamer I
Hans-Georg Gadamer
Wahrheit und Methode. Grundzüge einer philosophischen Hermeneutik 7. durchgesehene Auflage Tübingen 1960/2010

Gadamer II
H. G. Gadamer
The Relevance of the Beautiful, London 1986
German Edition:
Die Aktualität des Schönen: Kunst als Spiel, Symbol und Fest Stuttgart 1977

Eco I
U. Eco
Opera aperta, Milano 1962, 1967
German Edition:
Das offene Kunstwerk Frankfurt/M. 1977

Eco II
U, Eco
La struttura assente, Milano 1968
German Edition:
Einführung in die Semiotik München 1972


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