Psychology Dictionary of Arguments

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Form, philosophy: A. Form traditionally is an antonym of matter or content. Form is the structure or arrangement of something. It is the way that something is organized or composed. Form can be found in art, music, literature, architecture, nature and language. See also statue/clay, exterior/interior, Wholes, Parts, Dualism, Substance, Substrate, Change, Process. B. In logic it comes to the form in which statements must be expressed in order to allow conclusions. See also Fine-grained/coarse-grained, Completeness, Theories, Systems, Formalism.
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Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments.

 
Author Concept Summary/Quotes Sources

Peter Gärdenfors on Forms - Dictionary of Arguments

I 36
Forms/conceptual domains/Gärdenfors: in a conceptual domain represented as a two-dimensional coordinate system, regions can be represented simply. In this way shapes and patterns can be juxtaposed. E.g. rectangles, depending on whether they are higher (vertically extended) or square or wider than high, are represented in different regions of the domain. There is even isomorphism between the coordinate system and the space of these rectangles. E.g. squares are found along the line x = y.
Configurations/patterns/Gärdenfors: can then be defined as correlations of higher order in a concept space.


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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments
The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Gä I
P. Gärdenfors
The Geometry of Meaning Cambridge 2014


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