Psychology Dictionary of Arguments

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Soul: In philosophy, the soul is traditionally considered the immaterial essence of a person, embodying consciousness, identity, and personal agency, distinct from the physical body. Views on the soul vary across different philosophical traditions. See also Body, Mind, Spirit, Self, Consciousness, Identity, Person.
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Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments.

 
Author Concept Summary/Quotes Sources

G.W.F. Hegel on Soul - Dictionary of Arguments

Eco I 248
Definition Beautiful Soul/Hegel/Eco: To this purity the consciousness is its poorest form... it lacks the power of disposition, the power to make itself into things and to endure this purely. It lives in the fear of defiling the glory of its interior through action and existence, and in order to preserve the purity of its heart, it flees the touch of reality. The unhappy, so-called beautiful soul degenerates into itself and disappears as a shapeless haze. ((s) > ascetic priest, Nietzsche.)
>Consciousness
, >Reflection/Hegel, >World/Hegel, >Thinking/Hegel.


1. G.W.F. Hegel, Phänomenologie des Geistes, VI, C, c, Das Gewissen. Die schöne Seele. Das Böse und seine Verzeihung.

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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments
The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Eco I
U. Eco
Opera aperta, Milano 1962, 1967
German Edition:
Das offene Kunstwerk Frankfurt/M. 1977

Eco II
U, Eco
La struttura assente, Milano 1968
German Edition:
Einführung in die Semiotik München 1972


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