Grenz I 51
Culture/Adorno/Grenz: culture can only reproduc">
Psychology Dictionary of ArgumentsHome | |||
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Mind: The mind is the set of faculties responsible for thought, emotion, perception, and consciousness. It is often contrasted with the body, or physical matter. See also Consciousness, Spirit, Thinking, Thoughts, Brain, Brain states, Body, Identity theory._____________Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments. | |||
Author | Concept | Summary/Quotes | Sources |
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Th.W. Adorno on Mind - Dictionary of Arguments
Grenz I 51 Culture/Adorno/Grenz: culture can only reproduce the ruling one, both formally and in terms of content. >Culture, >Art/Adorno. I 52 Mind/Adorno: the mind thus becomes an affirmative doubling of what already already is. --- Grenz I 67 Mind/Adorno/Grenz: the mind that appears as the 'objective mind of the material' was formerly subjective. >Objectivity, >Subject/Object problem, >Subjectivity. I Grenz 168 Mind/Adorno/Grenz: that the mind separated from the real life-relations becomes independent of them, is not only its untruth but also its truth. ... the irrevocable independence of the mind towards society, the promise of freedom, is as much a social as the unity of both.(1) (Gesammelte Schriften, Vol. 8, p. 121). Grenz: thus: the historical movement of the present is conceived as a reconstruction. >History/Adorno, >Time, >Present, >Past, >Future. Culture/Adorno/Grenz: If culture is understood as the de-barbaric, the transition to the phase after the time when the culture could have been appropriated... --- I 169 ...and must have been appropriated, barbarism, is anthropologically speaking regression.(2) Anthropogenesis: is determined by Adorno as declining. E.g. Regression of hearing. 1. Th.W. Adorno. Gesammelte Schriften Bd. 8 p.121 2. Th.W. Adorno. Dialektik der Aufklärung. Philosophische Fragmente. Amsterdam 1947. p. 42f_____________Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition. |
A I Th. W. Adorno Max Horkheimer Dialektik der Aufklärung Frankfurt 1978 A II Theodor W. Adorno Negative Dialektik Frankfurt/M. 2000 A III Theodor W. Adorno Ästhetische Theorie Frankfurt/M. 1973 A IV Theodor W. Adorno Minima Moralia Frankfurt/M. 2003 A V Theodor W. Adorno Philosophie der neuen Musik Frankfurt/M. 1995 A VI Theodor W. Adorno Gesammelte Schriften, Band 5: Zur Metakritik der Erkenntnistheorie. Drei Studien zu Hegel Frankfurt/M. 1071 A VII Theodor W. Adorno Noten zur Literatur (I - IV) Frankfurt/M. 2002 A VIII Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 2: Kierkegaard. Konstruktion des Ästhetischen Frankfurt/M. 2003 A IX Theodor W. Adorno Gesammelte Schriften in 20 Bänden: Band 8: Soziologische Schriften I Frankfurt/M. 2003 A XI Theodor W. Adorno Über Walter Benjamin Frankfurt/M. 1990 A XII Theodor W. Adorno Philosophische Terminologie Bd. 1 Frankfurt/M. 1973 A XIII Theodor W. Adorno Philosophische Terminologie Bd. 2 Frankfurt/M. 1974 A X Friedemann Grenz Adornos Philosophie in Grundbegriffen. Auflösung einiger Deutungsprobleme Frankfurt/M. 1984 |