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Economics Dictionary of Arguments

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Effects: whether something is an effect of something depends on the separation of two objects or processes as well as the transmission of energy. Whether this relationship comes about is therefore contingent. From a linguistic point of view however, the relationship between cause and effect is a necessary relation, since the concept of the cause is applied only to something which has an effect. See also de re, de dicto, necessity, contingency, causality, effect.
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Annotation: The above characterizations of concepts are neither definitions nor exhausting presentations of problems related to them. Instead, they are intended to give a short introduction to the contributions below. – Lexicon of Arguments.

 
Author Concept Summary/Quotes Sources

Friedrich Nietzsche on Effect - Dictionary of Arguments

Danto III 121
Effect/Cause/Nietzsche/Danto: One should not incorrectly reify "cause" and "effect", (...) but use them as mere terms.(1)
>Causality/Nietzsche
, >Thinking/Nietzsche.


1. F. Nietzsche Jenseits von Gut und Böse, KGW VI.,2 S. 29f.

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Explanation of symbols: Roman numerals indicate the source, arabic numerals indicate the page number. The corresponding books are indicated on the right hand side. ((s)…): Comment by the sender of the contribution. Translations: Dictionary of Arguments
The note [Concept/Author], [Author1]Vs[Author2] or [Author]Vs[term] resp. "problem:"/"solution:", "old:"/"new:" and "thesis:" is an addition from the Dictionary of Arguments. If a German edition is specified, the page numbers refer to this edition.

Nie I
Friedrich Nietzsche
Sämtliche Werke: Kritische Studienausgabe Berlin 2009

Nie V
F. Nietzsche
Beyond Good and Evil 2014

Danto I
A. C. Danto
Connections to the World - The Basic Concepts of Philosophy, New York 1989
German Edition:
Wege zur Welt München 1999

Danto III
Arthur C. Danto
Nietzsche as Philosopher: An Original Study, New York 1965
German Edition:
Nietzsche als Philosoph München 1998

Danto VII
A. C. Danto
The Philosophical Disenfranchisement of Art (Columbia Classics in Philosophy) New York 2005


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